Controversial Marketing Hot-Take #3

In October of last year, I thought of starting a series of posts on 𝗰𝗞ð—ŧ𝘁ð—ŋ𝗞𝘃ð—ēð—ŋ𝘀ð—ķð—Ūð—đ 𝗚ð—Ūð—ŋð—ļð—ē𝘁ð—ķð—ŧð—ī ð—ĩ𝗞𝘁 𝘁ð—Ūð—ļð—ē𝘀. I posted one a day for four days straight. This was the third one.

“ð˜ū𝙧𝙚𝙖ð™Đ𝙞ð™Ŧ𝙚ð™Ļ 𝙖𝙧𝙚 ð™Đ𝙝𝙚 𝙗𝙞𝙜𝙜𝙚ð™Ļð™Đ ð™Īð™Ĩð™Ĩð™Ī𝙧ð™Đ𝙊ð™Ģ𝙞ð™Đð™Ū 𝙘ð™Īð™Ļð™Đ 𝙞ð™Ģ 𝙈𝙖𝙧𝙠𝙚ð™Đ𝙞ð™Ģ𝙜.”

𝗖𝗞ð—ŧ𝘁ð—ŋ𝗞𝘃ð—ēð—ŋ𝘀ð—ķð—Ūð—đ 𝗚ð—Ūð—ŋð—ļð—ē𝘁ð—ķð—ŧð—ī ð—ĩ𝗞𝘁 𝘁ð—Ūð—ļð—ē #ðŸŊ

We obsess about optimizing any aspect of our media buys, but most creatives are evaluated in very controlled environments and then “trafficked and forgotten.” We should be more rigorous in the creative development and methodical in their optimization.


ðŸĪĄ 𝗔 𝗰ð—ŋð—ēð—Ū𝘁ð—ķ𝘃ð—ē ð—ķ𝘀 ð—đð—ķð—ļð—ē ð—Ū 𝗷𝗞ð—ļð—ē, ð—ķð—ģ 𝘆𝗞𝘂 ð—ĩð—Ū𝘃ð—ē 𝘁𝗞 ð—ēð˜…ð—―ð—đð—Ūð—ķð—ŧ ð—ķ𝘁, ð—ķ𝘁’𝘀 ð—ŧ𝗞𝘁 ð—īð—žð—žð—ą – People half watching the TV don’t have the voice over of the Creative Director. Neither do those mindlessly scrolling their feed or running to catch their train. Reviews and pre-testing are valuable, but not as much as the reaction from real people in mundane environments.


📅 𝗖ð—ŋð—ēð—Ū𝘁ð—ķ𝘃ð—ē ð—ąð—ē𝘃ð—ēð—đð—žð—―ð—šð—ēð—ŧ𝘁 ð—ķ𝘀 ð—Ūð—đ𝗚𝗞𝘀𝘁 ð—ēð—ŧ𝘁ð—ķð—ŋð—ēð—đ𝘆 ð—Ŋð—Ū𝘀ð—ēð—ą 𝗞ð—ŧ 𝘀𝘁ð—Ūð—đð—ē ð—ąð—Ū𝘁ð—Ū – In-flight creative management is often limited to pausing and throttling low-performing assets. Creatives are mostly delivered before the flight, using no in-flight performance data to inform conception and production. Media is constantly optimized after the campaign launches. Why is it not the same with the creatives?


📃 𝗖ð—ŋð—ēð—Ū𝘁ð—ķ𝘃ð—ē ð—―ð—ŋð—žð—ąð˜‚ð—°ð˜ð—ķ𝗞ð—ŧ ð—Ūð—ŧð—ą ð—Ūð—īð—ēð—ŧ𝗰𝘆 𝗰𝗞ð—ŧ𝘁ð—ŋð—Ū𝗰𝘁𝘀 ð—ŧð—ēð—ēð—ą 𝘁𝗞 ð—Ŋð—ē ð—ŋð—ēð—ķ𝗚ð—Ūð—īð—ķð—ŧð—ēð—ą – The brightest and most advanced marketers shot multiple scenes and have a modular approach to video production. They use real-time data to create new iterations based on performance. Don’t hire Don Draper for your next production; hire Mr. Beast.


ðŸ’Ŋ 𝗖ð—ŋð—ēð—Ū𝘁ð—ķ𝘃ð—ēs ð—ąð—ŋð—ķ𝘃ð—ē𝘀 𝟰ðŸģ% 𝗞ð—ģ 𝘁ð—ĩð—ē ð—ķð—šð—―ð—Ū𝗰𝘁 ð—Ŋ𝘂𝘁 ð—ĩð—Ū𝘀 𝟎% ð—Ū𝗰𝗰𝗞𝘂ð—ŧ𝘁ð—Ūð—Ŋð—ķð—đð—ķ𝘁𝘆 – We spend a massive amount of time and resources optimizing all aspects of our media buys and use sophisticated measurement approaches to evaluate the ROI. When was the last time you monitored the effectiveness of your creatives and assessed the opportunity cost of running abelow-average assets?

Author: Paolo

Economist by education, marketer by profession, coffee roaster by hobby.